Book Review: The Trials of Empire (Empire of the Wolf, #3) by Richard Swan
ARC provided by the publisher—Orbit Books—in exchange for an honest review.
Cover art illustrated by: Martina Fackova
Cover designed by: Lauren Panepinto
The Trials of Empire by Richard Swan
My rating: 3.5 of 5 stars
Series: Empire of the Wolf (Book #3 of 3)
Genre: Fantasy, High fantasy
Pages: 496 pages (Kindle edition)
Word Count: 164,000 words
Published: 6th February 2024 by Orbit (US) & 8th February 2024 by Orbit (UK)
The Trials of Empire bestowed readers with a different direction and satisfying ending to Empire of the Wolf trilogy.
“One of the greatest feats of human cognisance is to realise and accept that every being capable of thought has a life as complex as one’s own.”
The time of judgment is at hand. It is time to judge The Trials of Empire and Empire of the Wolf trilogy in its entirety. It is also time to say goodbye to Helena Sedanka and Konrad Vonvalt. I can’t deny it feels bittersweet to part ways with these characters and the world. As some of you might recall, the first two books in Empire of the Wolf trilogy, The Justice of Kings and The Tyranny of Faith, are in my list of favorite books of the year when they were released. With the continuing streak of gorgeous cover art illustrated by Martina Fackova and designed by Lauren Panepinto, The Trials of Empire was one of my most anticipated books of this year. And I would be lying if I said I (overall) loved this final installment as much as the previous two books in the trilogy, which has a set high bar of quality for the series itself. But at the same time, I believe this roughly 164,000 words long novel did conclude the Empire of the Wolf trilogy satisfyingly.
“Sometimes we must act outside the bounds of the law to safeguard it. You are right that Claver is a deceitful and wretched man, but you are wrong to say that I am no better than him. I am better than him. I will always be better than him. Claver breaks the law to see that it remains broken; I break it only so that it may be saved. The time for high-minded ideals is gone. We have dark deeds ahead of us. If you have not the stomach for it, leave now.”
After the intense and explosive ending of The Tyranny of Faith, The Empire of Wolf is on its knees. And it is still not safe from the danger and threats Claver poses. To save the empire, Konrad Vonvalt and Helena Sedanka must venture beyond its border for allies—to the wolfmen of the southern plains and the pagan clans in the north. But old grievances run deep, and both factions would benefit from the fall of Sova. Can they achieve an alliance with these factions? And will they be enough to stop the zealot Bartholomew Claver, who now wields infernal power to destroy his enemies? The final reckoning is here. Konrad Vonvalt and Helena Sedanka must be willing to sacrifice and go through hell to be victorious from their most challenging ordeals yet.
“That was our sacrifice. We compromised our souls so that others could see the world through eyes unclouded by moral failure.”
From that premise, it is not far-fetched to say there were two distinct parts in The Trials of Empire. The first half and the second half. Typical and similar to many other fantasy books, the first half of The Trials of Empire is centered on the main characters going out of their way to form allegiances before the final battle commences. And this is, unfortunately, where I struggled with The Trials of Empire. The first half felt like it tried to do too much as quickly as possible. And in a different direction. One of the best aspects of the first two books was the investigations into a mystery and the discussions on morality and justice. The latter is still, thankfully, evident in the narrative, especially in the second half. I will get into that later. But because The Trials of Empire tried to do too much—without enough development—by shifting the genre into horror fantasy, not to mention the traveling montage and the surprisingly descriptive writing on landscape and setting, the pacing in the first half felt sluggish for me to read. Additionally, Claver is the goal here. You know how in role-playing games, the final boss tends to patiently wait for us gamers to spend hours leveling up and gathering every piece of rare equipment and magic we have to cheese them dead in the final confrontation? This felt like that. The first half is like sidequests before the final storyline truly begins.
“No one is entitled to success. Sometimes the just fail and the unjust triumph. That is why complacency is the most unforgivable of sins.”
This is why I cannot help but feel the Empire of the Wolf trilogy needed another book, not because it did not end powerfully, but because there is a good chance it would improve the many ideas and development in the first half better; bridging it to the second half in a more gradual and organic fashion while strengthening the core of the narrative. It took me a week to read through the first half of The Trials of Empire and one day to read through the second half. Yes, let that sink in. If you know my reading journey by now, then you should know my investment and connection to a book can be measured by how fast I can and am willing to go through a book. An uninteresting or boring one would make me prefer doing something else rather than reading. A working and compelling narrative will absolutely push me to read through a book quicker, no matter how busy I am. And fortunately, that was achieved in the second half of The Trials of Empire as everything came to its inevitable destructive confrontation. I couldn’t put down everything that happened in the second half of The Trials of Empire.
“An idea is like a pox: it can persist long after its host has died.”
The Trials of Empire can be surmised as the most action-packed novel of the trilogy. Skirmishes and small battles are spread throughout the book, and The Trials of Empire ends with an incredibly well-written climax sequence. I have mentioned that one of the strengths of Swan as an author is to craft an engaging dialogue and thought-provoking discussions or epigraphs on the nature of good and evil. Systems and laws make civilizations. In that sense, language and interaction, too, are a system. The Trials of Empire circulates around the endless and old unanswerable questions. Is it right to abuse or make an exception to a rigid system to accomplish what we deem virtuous? Is it justice to do bad things for the goodness of the many? Is it necessary to get our hands dirty to keep the citizens clean? There were many quotable passages in the epigraphs and narrative on this topic. But other than these, as proven at the end of The Tyranny of Faith and now The Trials of Empire, Swan is totally capable of delivering a frantic and chaotic action sequence as well. And despite the rough start, the second half of The Trials of Empire provided a rewarding and proper ending to the trilogy, with room for more stories to come in the world.
”It is a difficult thing, to have one’s world burned down. It takes a person of special character to see anything except ashes.”
One last positive factor to mention before I end this review. The entire trilogy is told through narration or memoir of Helena Sedanka, Vonvalt’s protégé. I already felt this was a great storytelling decision since The Justice of Kings, and I stand by this notion even stronger now. It felt bittersweet to say goodbye to Helena, Vonvalt, Radomir, and Heinrich. Heinrich is one of the goodest boys in fantasy, and I refuse to hear any conflicting argument. But beyond that, many aspects of the bonds between Helena and Bressinger, Radomir, Heinrich, and especially Vonvalt could work because everything is told through the intimate perspective of Helena. I have no complaints about Helena’s friendship with the supporting characters of the Empire of the Wolf trilogy. But I do not think I am alone in saying I dislike whatever cringe or toxic relationship Helena and Vonvalt have for one another. This was the issue I had with The Tyranny of Faith, but fortunately, seeing the events and their relationship development in The Trials of Empire made their attraction to one another more understandable. It was handled more carefully, and like it or not, I think the resolution of Helena and Vonvalt’s story felt poignant. And my god, they (especially Helena) have certainly been plunged into unimaginable ordeals and horrors in the context of the trilogy.
“We must make time to indulge our desires. Our humanity. We are not automata. Even in Südenburg, as severe a place as you can exist within the Empire– or rather, without it– we made time for levity, for music and humour, for carnality. A life without these things is no life at all.”
As it stands, despite my initial disconnection with the first half of The Trials of Empire, Swan has successfully transformed Empire of the Wolf trilogy into one of the strongest trilogies recently published. I highly recommend the entire trilogy to fantasy readers looking for a page-turning fantasy series that dives deep into the themes of justice and morality. The series started as a fantasy novel with minimal fantastical components, and for better or worse, depending on each reader, the emergence of the fantastical element in world-building constantly escalated. I have no idea what Swan has in store next, but I definitely will read more books by the author. As the pages of Helena Sedanka’s memoir are closed, it is time for me to move on to other series while I wait for Swan’s newest book.
“There will never be an answer that satisfies you. If our lives are inherently meaningless, then what matters is our actions and how they affect others. There is no world in which everyone lives a life free of suffering and untimely death. All we can do is be the best people we can be.
Series Review:
The Justice of Kings: 4.5/5 stars
The Tyranny of Faith: 4.5/5 stars
The Trials of Empire: 3.5/5 stars
Empire of the Wolf: 12.5/15 stars
Picture: Helena and Heinrich by Elena Kononenko
You can pre-order this book from: Amazon | Blackwells (Free International shipping)
The quotes in this review were taken from an ARC and are subject to change upon publication.
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