I’ve honestly come to believe that King can simply do no real wrong in my eyes. And I’m still baffled by this turn around, as I vividly recall years of my life when I couldn’t get past the first chapter of anything he wrote. Whatever the catalyst for this change in taste might have been, I’m grateful for it. King is now firmly planted among my favorites. While not every book or story is a masterpiece, they’re all enjoyable. This newest collection of his is no exception. Below are micro-reviews for each of the four stories contained in this collection. Even if I didn’t adore them all, I had fun reading them. …
ARC provided by the publisher—Saga Press—in exchange for an honest review.
The Hidden Girl and Other Stories by Ken Liu
My rating: 3.5 of 5 stars
Genre: Fantasy, Sci-fi, Dystopia
Pages: 432 pages
Published: 25th February 2020 by Head of Zeus (UK) & 25th February 2020 by Saga Press (US)
Ken Liu is incredibly good at writing short stories.
I’ve been waiting for The Dandelion Dynasty to be completed for years now so I can binge read the epic fantasy series. During my waiting time, I have read The Paper Menagerie and Other Stories and also some books Liu has translated: The Three-Body Problem and Death’s End by Cixin Liu. I loved them all; The Paper Menagerie, in particular, is one of the two best short stories I’ve ever read so far. The Hidden Girl and Other Stories is the second collection of short stories published by Ken Liu, and as expected, it’s another wonderful collection of stories. I think of this as something wondrous because I’m not even a fan of short stories; I avoid this format more than I avoid novellas. However, this is Ken Liu, and this collection goes to show how good he is at writing short stories. Just try reading the beautifully written two-page long preface; I highly doubt you’ll be able to resist reading this collection after reading this.
“As the author, I construct an artifact out of words, but the words are meaningless until they’re animated by the consciousness of the reader. The story is co-told by the author and the reader, and every story is incomplete until a reader comes a long and interprets it.”