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Petrik’s Top 20 Books of the Year (2018)

Petrik’s Top 20 Books of the Year (2018)

Time really flies huh? Another year is coming to an end soon! This year I’ve read and reviewed 129 books. It’s been another fantastic reading year. Considering the high amount of 4.5 and 5 stars books I’ve rated this year, I’ll even say that this year miraculously ended up being my best reading year so far. There will be four rules I set in this list in order for me to give appreciation to more authors rather than having only a few authors hoarding this list.

  • Rereads don’t count
  • One book per author
  • The book listed here are not exclusively published this year.
  • Outside of the two top spots (for good reasons), none of these are in particular order. All have merit, and most have different strengths that make them stand out from each other; putting a rank on them feels odd to me, especially when every book in this list now resides on my ‘favorite books’ shelf.

All the books listed below received a rating of 4.5 or 5 out of 5 stars from me. Without further ado, here are the top 20 books I’ve read in 2018! (All full reviews of these books can be found on my Goodreads page; some are already available on this blog.)


Book Review: Skullsworn (Chronicle of the Unhewn Throne, #4) by Brian Staveley

Book Review: Skullsworn (Chronicle of the Unhewn Throne, #4) by Brian Staveley

Cover illustration by: Richard Anderson (flaptrapsart)

Skullsworn by Brian Staveley

My rating: 5 of 5 stars

Series: Chronicle of the Unhewn Throne (Book #4 of 4)

Genre: Fantasy, High Fantasy, Grimdark Fantasy

Pages: 320 pages (US Hardcover edition)

Published: 20th April 2017 by Tor (UK) & 25th April 2017 by Tor Books (US)


Absolutely marvelous. Not only Skullsworn is Staveley’s best work so far, it’s also one of the most well-written books I’ve ever had the pleasure of reading.

Skullsworn is a standalone prequel to Staveley’s Chronicle of the Unhewn Throne trilogy; focusing on Pyrre Lakatur—one of my favorite characters from the main trilogy—as she faces her final trial to become the Priestess of Ananshael, the god of death. To pass her trial, Pyrre has fourteen days to kill the seven people depicted in an ancient song, including the one she loves / someone who will not come again. The main problem in this trial for Pyrre isn’t the killing itself, but love; she isn’t sure if she’s ever been in love or whether she knows what love is. If she fails to find someone to love—and then kill—she will fail the trial and die in the hands of the Priests of Ananshael. Pyrre isn’t afraid of death but she hates failing, and hence, she returns to the city of her birth, Dombang, in the hope of finding love and ending it with her blade.

“Love is not some eternal state, but a delight in the paradise of the imperfect. The holding of a thing is inextricable from the letting go, and to love, you must learn both.”

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