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Book Review: The Girl and the Moon (The Book of the Ice, #3) by Mark Lawrence

Book Review: The Girl and the Moon (The Book of the Ice, #3) by Mark Lawrence

The Girl and the Moon

The Girl and the Moon by Mark Lawrence

My rating: 4.5 of 5 stars

Series: The Book of the Ice (Book #3 of 3)

Genre: Fantasy, Epic Fantasy

Pages: 544 pages (Hardcover edition)

Published: 26th April 2022 by Ace (US) & 28th April 2022 by HarperVoyager (UK)


Mark Lawrence was once asked in an interview if he was a planter or a pantser—whether he planned his stories far out in advance or flew by the seat of his pants—and he described himself as the latter. After finishing The Girl and the Moon, it’s getting harder and harder to believe him. The final chapter of the Book of the Ice series not only caps the trilogy with an exceptionally strong finish but it also feels like an exclamation mark on his entire body of work, culminating all the major storylines from his other series throughout his publishing career into an Avengers: Endgame-style finale filled with triumph, tragedy, and hope.

Books one and two spoilers ahead.

After escaping Black Rock, traversing the ice, and making their way through a warp gate, Yaz, Theus, Quina, Thurin, Mali, and Erris have found themselves inside Sweet Mercy Convent, awaiting trial for theft and murder, thanks to the treacherous Eular. Right out of the … ahem… gate, the first few chapters place our heroes under heavy duress and the book is basically unputdownable until the opening sequence is resolved. Mark has a talent for strong openings, but this is his fastest, most exciting, highest-stakes opening sequence out of any of his novels, full-stop. The second quarter of the novel slows things down a bit as the troupe gets situated into their new surroundings, and the story does start to feel like it loses a bit of direction, as the characters don’t really know the best path to take. That quickly changes around the halfway mark, as there is a dramatic shift, several plot twists, some surprising character choices, and we’re off to the races until the rollercoaster ending.

The last line of dialogue feels like the both the symbolic and definitive end to the Broken Empire & Abeth saga, with a clear message that the last pages of this universe have been written, and something else entirely is on the horizon for Mark’s next projects. I get a sense that for the first time it will be unlinked to anything else he’s written before. If true, I’ll be sad to see this incredible world go, but it has been concluded with the utmost care for its characters and environment.

There was one moment in the closing half when a few lines of dialogue casually dropped, and it changed everything. Careful readers and longtime fans will pick up on the reference and will have their perspective on the whole trilogy re-evaluated, though it is possible to miss! Looking back, knowing what I know now, I am seeing the clues doled out along the way. I like to think I’m good at picking up on these things, but this time I was blindsided by the revelation and absolutely adored it. It’s rare to feel such an unexpected payoff that feels so earned and justified, and Lawrence pulled it off beautifully.

The Book of the Ice series is less of a sequel series than a companion series to The Book of the Ancestor, and strangely enough, I think that can be said for all of Mark’s series. Even though they take place at different points along the same timeline, there’s a fair argument that a new and thrilling experience can be gleaned by reading any of his series in any order you choose. I read them in order of publication, but I’m now curious at the different perspective I’d have gained if I read them in a different order. It’s a testament to Mark’s jazz-like style of storytelling – sometimes it’s the words not said that speak loudest – which adds to the mystique of each new volume’s release.

The Girl and the Moon is not only an exciting and rewarding finish to Yaz’s saga, but also a love letter to the universe and the fans who have appreciated its construction over the years. It is a rare book that makes its preceding books even better.

Book Review: The Last Wish (The Witcher, #1) by Andrzej Sapkowski

Book Review: The Last Wish (The Witcher, #1) by Andrzej Sapkowski

Review copy was provided by Gollancz in exchange for an honest review.

Cover art illustrated by Tommy Arnold

Cover designed by Lauren Panepinto

The Last Wish by Andrzej Sapkowski

My rating: 4 of 5 stars

Series: The Witcher (Book #0.5 of 5)

Genre: Fantasy, Epic Fantasy, High Fantasy

Pages: 352 pages (Illustrated edition)

Published: 7th December 2021 by Orbit (US) and Gollancz (UK)


The Last Wish made me feel like I was reading Geralt doing his side quests in the game.

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Book Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke

Book Review: Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro and Cornelia Funke


Pan’s Labyrinth: The Labyrinth of the Faun by Guillermo del Toro
My rating: 4.5 of 5 stars

I’ve never watched Pan’s Labyrinth. I remember borrowing the DVD from the library about a decade ago, but Chris vetoed it about 10 minutes in because it was subtitled and our tv was small. While I always intended to go back to it one day, I just never got around to it. That’s going to have to change, because I absolutely loved this novelization of the story. I feel like “novelization” is almost an insult, actually. Because, while I’ve never seen the movie, I know that the care with which this book was written and illustrated demands more respect that such nomenclature usually provides. Pan’s Labyrinth: The Labyrinth of the Faun, is gorgeous in the same way poisonous mushrooms are: lush, inviting, but deadly.

“In our choices lie our fate.”

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Book Review: House of Earth and Blood (Crescent City, #1) by Sarah J. Maas

Book Review: House of Earth and Blood (Crescent City, #1) by Sarah J. Maas


House of Earth and Blood by Sarah J. Maas
My rating: 4 of 5 stars

The only books I’ve read from Maas are those in the A Court of Thorns and Roses series, and even those were very recent reads for me. In comparison to those, Crescent City is pretty wildly different while still delivering the plucky, surly, fallible heroine archetype and sultry, multifaceted, misunderstood love interest they’ve come to expect from her work. While the world building was excessive and clunky, the addition of an intriguing murder mystery kept me interested enough to keep reading. I’m glad I did because, though this book had some issues, the back half made it very much worth reading.

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Book Review: Legends and Lattes by Travis Baldree

Book Review: Legends and Lattes by Travis Baldree

ARC was provided by the author in exchange for an honest review.

Cover art illustrated by: Carson Lowmiller

Legends & Lattes by Travis Baldree

My rating: 4.5 of 5 stars

Series: Standalone

Genre: Fantasy, Slice-of-Life

Pages: 318 pages (Kindle Edition)

Published: 22nd February 2022 by Cryptid Press (Self-Published)


Legends and Lattes is the wholesome and cozy fantasy you didn’t know you need.

For those of you who don’t know, Travis Baldree has been well known for his role as the audiobook narrator behind Will Wight’s Cradle series. And many other series, really. Legends and Lattes is his debut novel, and I do think Baldree should now be known for his fantasy novel, too. I wouldn’t have known about Legends and Lattes if it weren’t for Twitter. Most of you probably know already, almost all of my favorite novels and stories are intense, emotional, dark, and serious in tone. But I do love slice-of-life as a genre as well. When I saw the cover art—illustrated by Carson Lowmiller—to Legends and Lattes on Twitter, with the premise indicating this is a high fantasy novel with low stakes, I knew I couldn’t go wrong with my expectations entering this book. I knew immediately I should read this when I’m in the mood for something short, cozy, and wholesome. Despite loving slice-of-life in other storytelling mediums such as manga, anime, and TV shows, I seem to struggle to find a terrific slice-of-life fantasy novel. But I got what I wanted here. Legends and Lattes is the slice-of-life fantasy novel I craved and received.

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BOOK REVIEW: LOCKLANDS (THE FOUNDERS TRILOGY, #3) BY ROBERT JACKSON BENNETT

BOOK REVIEW: LOCKLANDS (THE FOUNDERS TRILOGY, #3) BY ROBERT JACKSON BENNETT

LockLands

Locklands by Robert Jackson Bennett

My rating: 4 of 5 stars

Series: The Founders Trilogy (Book #3 of 3)

Genre: Fantasy, Epic Fantasy, Cyberpunk

Pages: 496 pages (Kindle Edition)

Published: 28th June 2022 by Del Rey Books


A powerful and satisfying conclusion to this refreshing and inventive trilogy.

Locklands is a magic-infused techno-thriller with elements of cyberpunk and an epic fantasy chaser. The cover is telling: you, the reader, are peering through the cover’s keyhole into another realm, and opening the book will unlock its many secrets. This theme becomes especially relevant to the plot, as the stakes of the story involve rewriting the rules of reality itself. Good luck trying to guess what happens next. This is a blockbuster story, split into five parts, with each part presenting one long action sequence. It is tightly written and fast-paced, wasting no time putting you amidst against-all-odds battles. Ever since the opening pages of Foundryside, Sancia and her crew have been pulling off heists in one form or another. Locklands brings the story full circle by upping the heists to a level where the stakes could not be greater. It’s breathless, mind-bending fun.

Some plot spoilers for books one and two ahead.

Book three picks up several years after the end of Shorefall. Tevanne, an amalgamation of former ally Gregor and Valeria, is using its advanced scriving techniques to conquer the known world. All humans who fall under Tevanne’s path become part of its host army, to be used as sentries, warriors, or even worse: batteries. Sancia, Berenice, Clef, and some of the remaining Founders crew are part of a resistance group that are doing whatever they can to stop Tevanne from acquiring the means to re-write reality in its own horrifying vision. For years, Sancia and Berenice have been innovating to survive their fight against this unstoppable force and have built a new society along the way. Their own scriving method that allows for the “twinning” of minds has given this resistance society the means to have multiple bodies share one consciousness and work in harmony towards common goals. Contrary to how Tevanne occupies all its human hosts as one collective being, the resistance voluntarily shares their identities and souls with each other, linking to a chain of like-minded individuals who are dedicated toward their given societal roles. When two humans link, they share all thoughts and feelings, are able to see through each other’s eyes, and no longer have the need to speak aloud. Link more caretaking beings to this chain and suddenly you have a high-functioning medical unit who knows exactly how to run at full operational capacity and efficiency, with each person working perfectly in tandem, knowing the needs of everyone else at any given moment. It’s a huge sacrifice of privacy for the gain of unprecedented intimacy. Is this a choice the reader would be willing to make with their loved ones? There is a dichotomy that Bennett presents, showing the best and worst of this identity-sharing theme, and made me question what I would do if given certain choices that these characters had to make.

Although we spend a lot of time with our usual main cast, Clef was the primary focus for character development this go-around. His history was integral to the story; we couldn’t move forward without moving backward, and many of the questions raised in the earlier parts of the trilogy were finally answered. Testing the limits of Sancia and Berenice’s relationship was another major theme to this story, and you should prepare yourself with some Kleenex by the time the epilogue rolls around.

Boy, that epilogue. A heart-stomping piece of work that ties off this series beautifully. For as much of the story is an epic war of wit and machinery, there were a few emotional scenes at the end that are going to stick with me the longest. I’ll replay the awesome and creative battle scenes in my head, but I’ll feel the emotional avalanche of the epilogue for much longer.

Bennett has crafted a fitting finish to the Founders trilogy: one full of devastation, hope, torrid action, mystery, and brilliance. His scriving system of re-writing the rules to reality is one of the most creative, rewarding magic systems in any fantasy series I’ve read. Like The Divine Cities, the Founders trilogy smashes many genres into something wholly unique, fresh, and fascinating. I can’t recommend this author, or series, enough.

Book Review: The Hunger of the Gods (The Bloodsworn Saga, #2) by John Gwynne

Book Review: The Hunger of the Gods (The Bloodsworn Saga, #2) by John Gwynne

ARC provided by the publisher—Orbit—in exchange for an honest review.

Cover art illustrated by: Marcus Whinney

The Hunger of the Gods by John Gwynne

My rating: 4.5 of 5 stars

Series: The Bloodsworn Saga (Book #2 of 3)

Genre: Fantasy, Epic Fantasy, High Fantasy

Pages: 656 pages (Hardcover edition)

Published: 14th April 2022 by Orbit (UK) and 12th April 2022 by Orbit (US)


The Hunger of the Gods tempestuous final chapters have successfully prepared readers for the grand conclusion to come.

So here we are again, another year and another book by John Gwynne, one of my top favorite authors of all time. The Shadow of the Gods was one of the best books released in 2021 for me. The Hunger of the Gods, the second book in The Bloodsworn Saga, is my second most anticipated books—the first one belongs to The Lost Metal by Brandon Sanderson—of 2022. Before I talk about what worked so well for me in this continuation, it is mandatory for me to give my praises towards the publisher—Orbit Books—and the cover artist: Marcus Whinney. If you somehow haven’t seen the cover art of The Shadow of the Gods and The Hunger of the Gods, do it now. Orbit Books and Whinney has created another epic and distinctive cover seller. The scope of Lik-Rifa and Ulfrir in the cover arts is massive, and the realism looks downright stunning

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Book Review: Rise of Empire (The Riyria Revelations, #3-4) by Michael J. Sullivan

Book Review: Rise of Empire (The Riyria Revelations, #3-4) by Michael J. Sullivan

Cover art is done by: Larry Rostant

Rise of Empire by Michael J. Sullivan

My rating: 4.25 of 5 stars

Series: The Riyria Revelations (Book #3-4 of 6)

Genre: Fantasy, High Fantasy

Pages: 802 pages (Kindle Edition)

Published: 8th April 2010 by Orbit


It’s safe to say now that with each installment, each book in the The Riyria Revelations series consistently gets better and better in quality. The second omnibus in The Riyria Revelations titled Rise of Empire consists of the third book, Nyphron Rising, and the fourth book, The Emerald Storm, of the series. Whether on the first or second read, Rise of Empire is overall a superior collection of novels compared to the previous omnibus: Theft of Swords. Similar to my Theft of Swords review, I’ll start my review by showing you another beautiful cover art of the series done right by Marc Simonetti, and also a beautiful fanart of a scene in The Emerald Storm.

“Power rises to the top like cream and dominates the weak with cruelty disguised as — and often even believed to be — benevolence.”

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TS’s Monthly Wrap-Up : February 2022

TS’s Monthly Wrap-Up : February 2022

Hi everyone, I’m back with my monthly wrap-up for February.

With the shorter month and the Chinese festivities of the Lunar New Year (which means more time spent with family and friends instead of my nose in my books), I only managed to complete 5 novels, a couple of Sherlock Holmes novellas and a handful of short stories.

I’ll start with the novel which was the book of the month for me.

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Book Review: Hyperion (Hyperion Cantos, #1) by Dan Simmons

Book Review: Hyperion (Hyperion Cantos, #1) by Dan Simmons

Hyperion (Simmons novel) - Wikipedia

Cover art by Gary Ruddell

Hyperion by Dan Simmons

My rating: 5 of 5 stars

Series: Hyperion Cantos (Book #1 of 4)

Genre: Science Fiction, Space Opera

Pages: 483 pages (Kindle Edition)

Word count: 167,000 words

Published: 26th May 1989 by Spectra


My 600th review goes to Hyperion, an absolutely imaginative and magnificent classic science fiction novel.

After years of having Hyperion by Dan Simmons on my TBR, I can finally say I’ve read this beloved classic sci-fi novel. Before I started reading this novel, I didn’t know much about the premise or the content of the Hyperion except that there’s this creature called The Shrike in it, and also this book or series is one of the most beloved and highly praised sci-fi novels of all time. I’m actually shocked that Hyperion was first published in 1989. It holds up incredibly well. Hyperion felt like a book written way ahead of its time, and I’m not surprised this has become a classic now. Hyperion has been on my TBR pile for almost 6 years, and because I’ve been missing sci-fi a lot lately, I thought I might as well read this series now, and I’m definitely not disappointed by the first installment of the series. It’s the other way around. This has turned into one of my favorite sci-fi novels.

“It occurs to me that our survival may depend upon our talking to one another.”

Hyperion is the first book in the Hyperion Cantos quartet by Dan Simmons. On the world called Hyperion, beyond the reach of galactic law, there waits a creature called the Shrike. There are those who worship it. There are those who fear it. And there are those who have vowed to destroy it. In the Valley of the Time Tombs, where huge, brooding structures move backward through time, the Shrike waits for them all. On the eve of Armageddon, with the entire galaxy at war, seven pilgrims set forth on a final voyage to Hyperion seeking the answers to the unsolved riddles of their lives. Each carries a desperate hope—and a terrible secret.

Picture: The Shrike by Jaime Jones

As many reviews have stated, Hyperion is often pitched as The Canterbury Tales in space opera. It is essentially seven novellas in one novel, and it’s different from the majority of novels I’ve read so far. I didn’t know that I would be reading six different tales told by each individual, and I get how this can be a hit or miss because it feels like a collection of connecting novellas. Initially, it did take me some time to get used to the narrative structure. My degree of likeness with each story differs, but I loved how each one of the stories shed utterly important revelations regarding each individual, Hyperion, and the ominous creature called The Shrike. My review will consists of my brief thoughts regarding each tale in Hyperion.

“You have to live to really know things, my love.”

The Priest’s Tale
This is the tale about Father Hoyt and mostly Father Dure. The Priest’s Tale is the first story told by the pilgrims embarking upon Hyperion. And I think the ending of this tale could easily be the make-or-break moment for the reader. As I said, I did not know what kind of book Hyperion was, and reading the tale of Father Dure being told in the form of a diary took me some time to get used to. I wondered, “Where is this story going? What is the purpose of this tale?” And when I neared the end of the chapter, my jaw dropped. What happened to the Priests was insanely terrifying and impactful. The Priest’s Tale allowed Simmons to inform his readers immediately that Hyperion will be a bleak and harrowing tale. The theme of faith was elaborated carefully, and we get to find that The Shrike is not the only creature that should be feared in this universe; there are more. I absolutely loved this one, and I consider The Priest’s Tale my second favorite tale in the novel.

“I now understand the need for faith—pure, blind, fly-in-the-face-of-reason faith—as a small life preserver in the wild and endless sea of a universe ruled by unfeeling laws and totally indifferent to the small, reasoning beings that inhabit it.”

The Soldier’s Tale
If I were told to describe The Soldier’s Tale in three words, it would be blood, war, and sex. The Soldier’s Tale tells Kassad’s fight against the Ousters and why he needs to go to Hyperion. Overall, while it is well-written and great, I did not like this action-packed story as much as The Priest’s Tale. But seeing more glimpses of what The Shrike is capable of here has certainly mesmerized me. By this stage of the narrative, I already thought of The Shrike as one of the scariest creatures in science fiction, and reading the book further has proved that notion more. I rank The Soldier’s Tale as my fourth favorite tale in Hyperion.

Picture: The Lord of Pain by Ari Ibarra


The Poet’s Tale
I really loved The Poet’s Tale. The third tale in this book is told from Martin Silenus’s POV, and the depiction of writing, poetry, art, and what it means to become a writer was so profound. Out of all the Tales in Hyperion, this was the one that made me highlight so many passages. Simmons successfully put many thought-provoking and resonating passages without making them a hindrance to the pacing. The revelations about The Shrike revealed in this tale, in addition to the previous tale, were so mind-blowing to me, and I can’t wait to find out whether it’s all true or not. The Poet’s Tale is my third favorite tale in the book.

“Words bend our thinking to infinite paths of self-delusion, and the fact that we spend most of our mental lives in brain mansions built of words means that we lack the objectivity necessary to see the terrible distortion of reality which language brings.”

Picture: The Poet’s Tale by Raymond Swanland


The Scholar’s Tale
This is it. The Scholar’s Tale is my favorite tale in the entire novel. It’s probably the most different compared to the other stories. By putting the extraordinary circumstances in ordinary lives, Simmons effectively made The Scholar’s Tale, the fourth story, the most heartbreaking and powerful tale to read. I read this long chapter about Sol and his family in one sitting. I just couldn’t put it down. Family and parenthood are the key themes of this tale, and once again, the gradual sadness caused by the unstoppable passage of time was incredibly well-written. It is a poignant tale, one that will make you sit and think, make you reflect on what truly matters, and it’s so worth your time to read.

“Sarai had treasured every stage of Rachel’s childhood, enjoying the day-to-day normalcy of things; a normalcy which she quietly accepted as the best of life. She had always felt that the essence of human experience lay not primarily in the peak experiences, the wedding days and triumphs which stood out in the memory like dates circled in red on old calendars, but, rather, in the unself-conscious flow of little things – the weekend afternoon with each member of the family engaged in his or her own pursuit, their crossings and connections casual, dialogues imminently forgettable, but the sum of such hours creating a synergy which was important and eternal.”

Picture: The Scholar’s Tale by Raymond Swanland

The Detective’s Tale
Unfortunately, after the greatness of The Poet’s Tale and The Scholar’s Tale, this tale felt tame in comparison. The fifth Tale is a murder mystery story, and comparatively, it’s my least favorite in Hyperion. It’s one of the longest chapters in the book. I couldn’t feel invested in the love story, and it’s disappointing that it doesn’t add many big revelations regarding The Shrike or Hyperion. Despite that, I cannot deny I still found the tale readable and engaging enough.

“Most murders,” I said, “are acts of sudden, mindless rage committed by someone the victim knows well. Family. A friend or lover. A majority of the premeditated ones are usually carried out by someone close to the victim.”

Picture: The Long Goodbye by Jaime Jones

The Consul’s Tale
On my first read, the final Tale in the book was my least favorite Tale. I retract that statement. While it is, in a way, plagued with the same issue as The Detective’s Tale, the Consul’s Tale did offer some tidbits about Hyperion and the Shrike. It did not have the impactful pieces of mysteries and revelations on The Shrike provided in the first four tales that made them memorable, but I enjoyed reading how the Consul’s Tale connects with the other pilgrims.

“Anticlimax is, of course, the warp and way of things. Real life seldom structures a decent denouement.”

Picture: Siri’s Rebellion by Jaime Jones

I haven’t done my research on this, so I can’t confirm whether this is true or not, but the relatively abrupt ending might mean that Hyperion and its sequel The Fall of Hyperion was one big book divided into two novels due to its length. If I were to rate Hyperion based on the first four Tales I read, I’d rate it with an easy 5/5 stars rating. However, although the final two tales didn’t earn that rating because they did not click with me as much, I am still sticking with 5 stars for my rating of the book as a whole. The whole is greater than the sum of its parts here, and Dan Simmons has shown his versatility as a writer so damn well with all the Tales told in Hyperion. The Tales combined has constructed an impeccable sci-fi novel that stood the test of time and will continue to do so. Undoubtedly, I am eager to read The Fall of Hyperion next month. Hyperion was utterly brilliant. I desperately need to find out how this grand setup will be concluded.

Picture: Hyperion by Jaime Jones



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